ABANDONED WIZARDING SCHOOLS: THE BERMUDA TRIANGLE
The school of Mamora Island had been in operation for a mere one hundred years before it was abandoned by the wizarding community. Located not too far from the Bahamas, the school was founded by the wizard Loas, who was discovered to be dabbling in dark magic when his behaviour grew more and more erratic and violent. Faculty and students unwillingly turned a blind eye, until a student was injured during one of Loas’s blind outbursts. After parents got wind of the incident, they withdrew their children from the school until the scarce student population forced Loas to close the school, although he remained on the grounds for decades where his descent into madness slowly claimed both him and the school. Wild weeds grew abundant, and the walls slowly crumbled. As water levels rose, more than half of the school was devoured by the mammoth mouth of the ocean. Although centuries have passed, protective spells around the school remain intact, rendering it completely invisible to the muggle eye. Loas’s vile magic lingers in the area like the veil of mist that shrouds the island, causing frequent weather disturbances and violent ocean activities.
- juliet: what's in a name? that which we call a rose by any other name would smell as sweet; so romeo would, were he not romeo call'd, retain that dear perfection which he owes without a--
- romeo: nice nice, so art thou a virgin?
Okay, I just realized Voldemort didn’t just plan to kill Harry in Book 4
In all other cases except the Triwizard cup, portkeys only go one way at one specific time. Touching them again does not activate them to return to their place of origin. Also, when Harry grabs the cup a second time, it does not return him to the middle of the maze. It takes him to the entrance of the maze, in front of everyone.
Therefore, when Crouch Jr. (as Moody) bewitched the cup, he planned to have it take anyone who touched it first to the graveyard, then to the front of the maze.The cup was probably supposed to be a portkey to take the winner to the front of the maze anyway, so they wouldn’t have to try to fight their way out again.
Voldemort obviously planned to kill Harry. He had to. That was the whole point; to kill Harry in front of all his Death Eaters, all the ones who had deserted him and doubted his power to return.
There’s the possibility that he wanted to send Harry’s body back, either to divert suspicion somehow or to intentionally flout his victory in Dumbledore’s face. Except Voldemort had promised his precious Nagini several times she could eat Harry, and it seemed like a promise Voldemort was going to keep.
So who was meant to take that return trip?
Voldemort could use it as a ticket into Hogwarts for a surprise attack, but he’s freshly reborn, his Death Eaters are 13 years out of practice, and there’s a flock of powerful wizards there for the Triwizard. That would be an idiotic move.
Or what if Harry—or someone who looked like him—had returned to Hogwarts as if nothing had happened in that maze? As the victor of the Triwizard Tournament AND the Boy Who Lived, Harry would be able to go anywhere and do anything. Everyone trusts him.
Two words: POLYJUICE POTION.
There was one Death Eater already waiting at Hogwarts who had very carefully been spending a whole year getting to know Harry, watching his every movement: Barty Crouch Jr.
So here was Voldemort’s complete plan: Use Barty Crouch Jr. to infiltrate Hogwarts as Moody. He gets to know Harry and sets him up to be selected for and eventually to win the Triwizard Tournament. He makes sure Harry touches the cup first. Harry is then transported to the graveyard where Voldemort is waiting. Voldemort uses Harry to rise, calls his Death Eaters to him, and then humiliates and kills the Boy Who Lived in front of them.
Then Voldemort strips Harry’s body, takes his hair, and transforms into him (or else has one of his DE’s do this—but really, who would he pick? Lucius is an idiot, Bellatrix is still in jail, and he believes Snape has deserted him). He then takes the cup and goes to Hogwarts as Harry. Later that night, Moody disappears, and Crouch takes Voldemort’s place as Harry Potter. Then, when the moment is right, Voldemort-Harry or Crouch-Harry will assassinate Dumbledore (incidentally gaining the power of the Elder Wand, though he wouldn’t know it), stage a coup of Hogwarts, and take over the wizarding world.
Heck, he/they might not even drop their disguise as Harry. The wizarding world has faced Voldemort as an enemy before, but if their savior Harry Potter suddenly turned out to be just as powerful a Dark Lord as He Who Must Not Be Named? It would be a far scarier prospect than simply dealing with Voldemort’s return.
It solves the problem of why Voldemort went to such lengths to get Harry through the Triwizard, when there were far easier ways to capture him: Voldemort didn’t just need Harry’s blood; he needed Harry as the world’s hero.
And all that time in Hogwarts would give Voldemort time to search for a relic of Godric Gryffindor, the one founder he never made a horcrux from.
Of course, none of this could have worked because Voldemort could never in a million years fool Ron or Hermione or Dumbledore, not even for a minute. But there’s Voldemort’s greatest weakness again—he doesn’t understand love.
You’re welcome.
gerlonso-moved-deactivated20170:
make me choose; gotzem asked:
beyoncéor arctic monkeys?(insp.)
the members of an orchestra
- violins I: we're the superstars fuck everyone else its all about us
- violins II: why do we always get the boring parts
- flutes: we're so lonely
- piccolo: lol fk your ears
- french horns: and im not even french hONHONHON BAGUETTE
- oboes: IM SORRY I TUNED BEFORE I SWEar
- violas: evERYONE ALWAYS FKUCING FRORGETS ABOUT US
- trumpets: wats 'p'
- trombones: wats quiet
- cellos: im either boring af or exciting af and there is no in between
- bassoons: im so posh but i really just honk like a truck
- clarinet: *squeaks*
- timpani: EVERYONE LOVES ME BOM BOM BOM BOM BOM BOM BOM
- bass clarinet: lol where am i
- tuba: *waits for a wagner piece to do something exciting*
- harp: im just a more sophisticated piano
- piano: FUCK YOU HARP I GET CONCERTOS WRITTEN FOR ME SCREW EVERYTHING WHO NEEDS AN ORCHESTRA WHEN YOU CAN PLAY EVERYTHING ON ME IM THE STAR OF EVERYTIHNG
- english horn: im literally only useful for dvorak's 9th like what am even i doing here
- basses: semibreves, tied to a semibreve, tied to a minim, tied to a crotchet, oh wait a quaver wow exciting ok back to semibreves
- cornets: trumpet wannabe
- cymbals: BOOM CRASH CRASH CRASH CRASH IM SRO HAPYP CRASH CRAHS
- saxophones: i never get a good part until a jazzy piece is performed which is never
- xylophones: am i meant to be here?
- triangles:
- bass drum: MY TIME TO SHINE FUCK YOU ALL
This is the fastest one I’ve done (only took me one night to make :p) and possibly my favorite too. I hope I didn’t make any typo though. Anyway, since the album has a very minimalist approach, I decided to go in that direction too.
PURE HEROINE DIGITAL BOOKLET
"She's Thunderstorms (Feat. Thunderstorm)"
by Arctic MonkeysShe’s Thunderstorms, played over a thunderstorm

Heinrich-Siegfried Bormann - Visual Analysis of a Piece of Music from a Color-theory Class with Wassily Kandinsky (1930)
CHIMES | ( listen )
Sounds to lull you into sleep. A mix for the restless dreamers and sleepers, for heavy hearts and solemn bodies.

I mixed the last page of the epilogue (read by the amazing Stephen Fry) with Leaving Hogwarts, changed the levels and unfortunately to make it fit, cut some bits out. But yes. This is what it sounds like.
- miranda
- 17
- she/her
- usa/pa
- relatable teen
- plays violin
- runs sometimes
- takes naps to avoid responsibility
- former whovian trash, currently aesthetic trash